teaching
Poetic Research Bureau x Rotations: “The Feminist Moving Image: A Writing Workshop”
Lecturer, ULCA School of the Arts and Architecture, Dept. of Art, 2026–7: OPEN AREA STUDIO
The Poetry Project: ‘Tracing Political Commitment: A Five-Session Writing Workshop”
UCSD Literature Dept. 2024-25: WRITING FOR PERFORMANCE, POETRY ACROSS THE ARTS, TRANSLATING LITERATURE
CalArts Program in Film and Video, School of Film/Video, 2022–7: THE FEMINIST MOVING IMAGE ACROSS DISCIPLINES, NEW DIRECTIONS IN FEMINIST FILM HISTORY, WRITING ABOUT FILM, ALTERNATIVE SCREENWRITING
Wendy’s Subway: ‘Writing Toward an Aesthetic of Adaptation’
Poets House: ‘Text, Event, & Chorus: Intergenre Writing for Poets’
books
translation
my mother laughs, chantal akerman
writing
Foreword, When the Phone Rang, Iva Radivojević. Red Herring Press, 2025
LUX New Artist Focus: ‘What’s the Time Being?’: on the Work of Deborah Stratman
Rotations Palestine Solidarity Statement
metrograph journal: ‘THE SHORT FILMS OF SHIRLEY CLARKE, 1957–1981’
film comment: ‘grief in relief,’ on The Souvenir Part II
film comment: ‘head in the clouds,’ on Anne at 13,000 ft.
harriet, april 2020: ‘from today (tone)’
‘nowhere in mind: Chantal Akerman’s New York films’ in America: films from elsewhere
bomb: review of Wittgenstein’s WORD BOOK (Badlands Unlimited)
millennium film journal:‘be mine, Barbara: remembering Barbara Hammer’
film comment: excerpt of thinking on Susan Sontag’s Duet for Cannibals
film quarterly: review of Morgan Adamson’s enduring images: a future history of new left cinema
frieze: on James Benning’s 31 Friends (October)
bomb: review of Shiv Kotecha’s the switch
hix eros: ‘on So Mayer’s ‘obsolute’
frieze: on Nellie Killian’s tell me: women filmmakers, women's stories
pelt v. 4: feminist temporalities: ’goodnight, chantal’
press / interviews
metrograph journal: interview with Babette Mangolte
song cave book page for My Mother Laughs points outward to reviews
*bomb: in which I interviewed BARBARA HAMMER!*
print screen: film society of lincoln center launches THE GREEN RAY
collaborations / performance / presentations
July 14, 2025: No Orchids, a play. Staged reading featuring Julia Jarcho, Sylvia Gorelick, Tony Torn, Farnoosh Fathi, Linda Mancini, Lorenzo Bueno, Bianca Messinger, Brooke Bloom, and Nestor Ireland. The Tank’s Attic Studio, NYC.
June 2024: Yannis Window: conversation with American Artist throughout the screening of Yannis Window, a series of artist moving-image works that draw inspiration from science fiction author Octavia E. Butler. Now Instant Image Hall.
April 2024: Introduction to Chantal Akerman’s La Captive. Book release for Christine Smallwood’s La Captive, Fireflies Press. Now Instant Image Hall.
Sept 2023: Mono Lake & Last Things: Q&A with Deborah Stratman. National Gallery, Washington, D.C.
The Whole Tragedy of the Inability to Love, Part 2. LE JEU: home alone 2 (video excerpt)
The Whole Tragedy of the Inability to Love, Part 1. SUSANSWERPHONE: PRELUDE.12 (video 1) (video 2)
WALTZ, directed by Meghan Finn: 13th Street Repertory
film / video
Emotional Freedom Technique (2022)
Leavenworth (2020)
How to Cane a Chair by Hand (2020)
IQ 172 (2014)
A Letter (2013)
audio
Spit in the Ocean #40, Lower Grand Radio (Oakland), Jan. 2026
Royal Osiris Karaoke Ensemble: Protecting Our SEMITONE Resources (a guided meditation)
The People Radio / Insert Blanc Press Ep 50: reading at 17:35
CORINA COPP AND DIANA HAMILTON: PROFESSIONS FOR WOMEN (The Euphoria of Acting a Part)
poemtalk #93: Helen Adam's 'Cheerless Junkie's Song'
I'd never disabuse my friends of their notions it is about love
triple canopy: Automatic Reading
recent curatorial projects
Language Garden ~ 2023, 2024, 2025
The Language Garden Reading Series was a summer-to-fall series of poetry readings and performance programmed by Corina Copp, Sophia Le Fraga, & Joseph Mosconi, with interventions and germinations from David Horvitz. All events took place at David Horvitz’s 7th Ave. Garden: 1911 7th Ave., Los Angeles, CA.
Rotations a film series ~ 2021-present
A resident member of 2220 Arts + Archives in Los Angeles with frequent screenings at Now Instant Image Hall and elsewhere, Rotations is a PACBI-committed, occasional film series focused on experimental nonfiction filmmaking, artist and political cinema, and their detours, by living, transnational feminist practitioners and their collaborators. Founded late 2021.
Complete list of screenings at rotations-la.net